Masterclasses     ancient music
August 6th - 10th 2018
Linde Brunmayr-Tutz
traverso flute 		Petra Zenker
harpsichord, basso continuo,
and historical temperaments
Masterclasses     flute, piano, harp August 12th - 19th 2018
Karin Reda
flute
 Sandor Rigo
classical saxophone
 Raphael Leone
piccolo
Markus Prause
piano, piano-chambermusic 		Julia Reth
harp 		Esther Jascha
WS "Posture training serving as prophylaxis for musicians"
Masterclasses     voice performing August 12th - 19th 2018
Kurt Equiluz & Margit Fussi
Lied and oratorio
 Maris Skuja
opera repertoire

Hauptplatz Mistelbach
The CLASSIC-MASTERCLASSES for FLUTE (3 masterclasses focused on 'modern' flute, piccolo and 'baroque' traverso), VOICE PERFORMING (2 masterclasses focused on Lied and oratorio and opera-repertoire) specially recommended to be prepared for auditions and entrance-exams), CLASSICAL SAXOPHONE, PIANO, CEMBALO and HARP address to young musicians, students and graduates as well as to chambermusic-groups (PIANO-CHAMBERMUSIC), looking for new ideas for their prepared pieces and especially specific advice and expertise for their instruments, aiming at improved stylistic and tonal ideas in musical performance (also in preparation for auditions and competitions).

We offer the participants of the Internationale Meisterkurse Mistelbach the following course specials (included in the course fee): Meisterklasse Flöte

  1. daily individual instruction in the solo classes
  2. the instructors will guide you through concert & preparation
  3. daily rhythm training for everyone!
  4. free entry/participation at the course concerts (upon consulation of the instructors)
  5. free practicing rooms
  6. free passive participation at all the courses
  7. piano accompaniment in the solo classes
Teaching languages: English and German
Translators for other languages can be organized on request and based on individual arrangements.

Music teachers, but above all else, young, talented musicians from the local area can participate our Masterclasses as an effective means for their musical development, particularly with regard to performance practice and stylistics.
PROGRAM SUBJECT TO CHANGE